For children and youth productions are otherwise serious music festivals or content plays an important role in the repertoire - to cultivate new audiences, new generation. This goal was probably (indirectly) in the summer of this year Birgitta Festival, where the two performances were added to the list of "Arabella" show. The music was written Ehala, Aino Pervik children's book "Arabella the Pirate's Daughter" wrote the libretto based Leelo Ergots, directed by Margus Kasterpalu, Rosita artwork made of iron, was choreographed by Oleg Titov, etc.. Starring Arabella was perhaps including Finland, and his father, Daniel, Maria Christina was the role of Hannes Vanemuine. In addition, a few City Theatre actor, Priit Volmer Estoniast, Tanja Mikhailova and mustlasansamblid. Without wishing someone good in them too, and nice people gender and politics to do, put the end result will still shrug. The overall impression was just boring. The musical, the music is important, and it should be noted sadly that the sound from Ehala creations are no longer able parimagi wanting to surprise us. All had heard a long time ago. Something like "losers", something the then "Bumpy" movie, something from somewhere else. The production of the musical is very well analyzed gender and politics by Alvar Loog Postimees. Proficient, or just add to Priit Volmer Raudpatsina created the charm, as well as bass. Veiko Tubin räppiv chef was well resolved. Maria Soometsa and Rain Simmul arguably fits into the harmony (!) The positive end of the play. First act was to remind Simmul brightest immigrants gender and politics who, for some mystical way all the way to the end of the second act, a team led by the pirate ship Arabella just trance. Maybe I'm too spoiled, but the fact is, after all, pirates, and even today there are those in this production was still very relaxed impression. Today, we can not wave a knife, and although none of the pirate merely a "mandatory" gun shot would have been the staging ebaoriginaalne, it will at least be seriously affected. Children do not underestimate the fee, it means there is no sense to believe that they do not know (whether or Hollywood films based on) what a real one looks like or how buccaneer should behave. I guess the only place where you could feel a bit of fear, was when Arabella was Raudpatsi in prison, hands tied behind their backs and pulled shut. The play at the end of the water was absorbed by sinking two ships - sorry, but it was the play of this particular context, rather than the egregious injustices good end! Raudpats and Rosita came to the game in the second act. Their performances refreshingly effects, but the overall impression of the play boring it could not be saved anymore. Dialogue and inconsistencies do not lead out of nowhere. Tina fate of imprisoned businessman was left open. Raudpats and co. the man threatened gender and politics to kill him, but then I thought again that maybe he has a cup of boxes as the benefits later ... Hannes is an internal force of the actor, so of course he does on stage as needed, but it was hard to feel live. Pirita convent ruins between vihmamärjas augustiõhtus and cool the home side of the road in search of jaksasin just wonder why it was necessary to Bridget's musical festival and the ruins of the monastery for the transfer? Empty feeling inside of me was not at all inexplicable, because let's face it, for the staging of the actors gender and politics was directed largely left on their own. Arabella is Soometsa gender and politics Pipili, as he always gender and politics says that should not be the father of us can imagine how a father can do without her. Well, seriously, if anyone nowadays consolation gender and politics overtop yet knowing that his dad is like an angel in the sky? The actors seemed to play as a text book stood. Good actors can handle it easily. So I applaud the choice of actors, but at the Arabella children deserve a much better story. Also musically. gender and politics In December, the 'Arabella' Ugala theater game plan.
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