Thursday, February 19, 2015

There is no doubt that director Michael Bay is crazy and she set up each new film is to be seen (an


There is no doubt that director Michael Bay is crazy and she set up each new film is to be seen (and wait for) as a new proof of his outside arm and comprehensible rules of intellectual formations. Nothing (really) in this world is not like his movies. Which in itself is something. Unique. And unfortunately in this world (well, cinema) is increasingly less time that such a sign is in place and is not (now) a cheap publicity stunt. 1940 s glamour It should not be ignored and quickly written off as unimportant fact, as zinieties his films missing ... it's all - everyone has something to say or have heard some attention Kara individual with foam on his lips made phrases about the director's work in degrading nature. If only because he, like all big-budget Hollywood film directors (which is not always the authors) produce their films to entertain the audience and the film studio again earn unimaginable amount of money does so with admirable professionalism, in terms of genre and created product 1940 s glamour awareness . Needless without trying to create your own movies about something that they are not, and how they should not come to anyone. Let's be honest - sometimes deliberately piebakstītas lielfilmas is full of all sorts, with white threads filed, plot elements, whose performances are at the level of children's films, so that the film serves solely as a break between compulsory popping 1940 s glamour sound & bang. In addition, Michael Bay works with a financial guarantor.
Skipping 1940 s glamour all the complexities pastāstiņus and truths that maybe does not do honor nor the Transformers film series, nor the actors and creators, because, quite simply, it is absolutely immaterial, watching the same movie, the latest 1940 s glamour Michael Bay movie, now in its fourth infusion transformer, which this time experienced wee restarts when you change the entire composition of actors, did not leave me feeling that I look at something significant, lasting and mind more special than 80% of the cinema repertoire. Yes, I know how this sounds, but, but, but.
Perhaps my inexhaustible enthusiasm for the Transformer and the director's style lies in childhood when everything the American (and not only in films) associated with something better and more complete than the current one. All of the driving America welcomed the property was so stylish and interesting than, for example, metal constructor and Lotto kegs. Accordingly, as the years went by, many things folklorizējušās and stored in its memory to the tag "good old times". No matter how strange it may sound, directly Transformers film series and the new part, in particular, those childhood feelings stir up the most powerful.
Farmers' life portrayed in stereotypical endless cherish cereal 1940 s glamour rural background, plain, but ingenious countryman, perfect sunsets and generally perfectly formed atmosphere 1940 s glamour that can be characterized as "American lifestyle" all adds up to a nasty ideal, 1940 s glamour but many so fragrant feeling comparable to Marlboro Cigarette advertising and the main character 1940 s glamour of Marlboro Man. But, as we know, nothing is as it seems - in real life a man who the world known as the Marlboro Man died of chronic lung disease, but the Transformers movie, so that everything would be so dull and flat plot, created the atmosphere, it is ironic joke .
The first joke and probably one of the longest jokes are incomprehensible to the film actor choice. But as soon as the actor Mark Wahlberg reproduced image in the film donning glasses (because he is a scientist!) And one after the other expressed ambiguously perceived phrases, all becomes clear. It becomes clear as day that Transformers 4 or Transformers: Age of Extinction 1940 s glamour does not perceive himself seriously. At every opportunity (of course, the rules and within the rhythm 1940 s glamour of the film), there have been phrases that are often not in the least related to the film scene and assessed only as a reference. For example, even without taking into account the fact that in itself is a joke that Mr. Wahlberg in the film represents the (almost) the same film Pain & Gain image in a picture of his daughter with the text "handy" from the store he brings a large protein packaging. 1940 s glamour The same daughter, Nicola Peltz aktrisīte new, better known series Bates Motel from the first season, the film is not only the traditional Femina brooch. In my opinion, this time deliberately chosen his expressed meitenīguma (not to be confused with femininity) due to say the least. And almost all of the jokes are more or less aimed at, the fashion industry, žurnālvāku trends and music videos shown in adolescent nudity 1940 s glamour and indecent behavior towards - and paternal puspajokam reference to the perception of the world wrong. I am sure that the rest of the actors composed of the following pitfalls, and they are not simply lame and stereotypical characters that seen in other films already millon times.
Also plot / events promiscuity and actors like tin soldiers use robot battles, can be explained by the fact that it is so insignificant part film, and serves only as an exhibition ... and never dramatic way, but rather as an element of choreography. But overt, on the contrary, highlighted the promotion of products (product p

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